Piano Concerto No. 3 (2017)

Beethoven

The Netherlands Symphony Orchestra, Hannes Minnaar

Jan Willem de Vriend

The missing link. Hannes Minnaar’s release of the beginning and end phases (numbers 1 & 2 and 4 & 5 respectively) of Beethoven’s piano concertos is now ‘followed’ by No. 3. It forms a link in another sense as well. The first concertos: replete with youth, sparkling, often even rambunctious; the last two both more mature and more heroic. And Piano Concerto No. 3 then? In part still building on his youth (Beethoven was around 30 when he wrote it), this is the first one where we hear heroism. Might has become the central theme.

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The Netherlands Symphony Orchestra

The Netherlands Symphony Orchestra is based in Enschede, in the province of Overijssel. Performing at an international level, as evidenced by its highly acclaimed CDs and invitations for international tours, the orchestra is firmly rooted in society. 
Jan Willem de Vriend has been its artistic director and chief conductor since 2006. Under De Vriend’s leadership, the orchestra has expanded its repertoire to cover music from four centuries. Its use of period instruments in the Classical repertoire gives the orchestra a distinctive and highly individual character. 
The Netherlands Symphony Orchestra performs amongst others in Amsterdam, Rotterdam, Utrecht, Enschede, Zwolle and Deventer. In addition, it often works with the Dutch National Touring Opera Company. In its home town Enschede, the orchestra builds on a symphonic tradition of more than 80 years, and it is known as one of the most modern and entrepreneurial orchestras in the Netherlands. Its international partners include the BBC Philharmonic and the Liszt School of Music Weimar. 
The Netherlands Symphony Orchestra created a number of ensembles, such as a chamber orchestra, the Baroque Academy of the Netherlands Symphony Orchestra (BANSO) and various chamber music ensembles. The orchestra’s commitment to expanding its social relevance is also reflected in the large number of projects in which education is a key element. 

Jan Willem de Vriend

Jan Willem de Vriend is the artistic director of Combattimento Consort Amsterdam and since 2006 the chief conductor and artistic director of the Netherlands Symphony Orchestra.

In addition to having served as concertmaster with various ensembles, De Vriend developed a career as a conductor with several orchestras both in The Netherlands, Switzerland, Austria, Italy Germany, Sweden, as well as China and Australia. Opera conducting has come to play a significant role. He has led Combattimento Consort Amsterdam in unknown operas by Gassmann, Rameau, Heinchen and Haydn, among others, as well as familiar operas by such composers as Monteverdi, Handel, Rossini and Mozart. For the opera houses of Lucern, Strasbourg, Barcelona and Enschede, he has conducted operas by Handel, Mozart, Verdi, Strauss and others.
He was invited by the Stanislavsky Theatre of Moscow to conduct an opera by Handel.

De Vriend was awarded the Dutch Radio 4 Prize of the year 2012. The Radio 4 Prize is awarded to a musician (or ensemble or institution) who has distinguished himself in bringing classical music to a broad public.

Hannes Minnaar

www.hannesminnaar.com

In March of 2013, Hannes Minnaar made his debut with the Royal Concertgebouw Orchestra in Beethoven’s Fourth Piano Concerto under Herbert Blomstedt. This performance marked a new milestone in the career of the 28-year-old pianist. The invitation to perform in this concert was the result of the Third Prize won by Minnaar in 2010 at the Queen Elisabeth Competition in Brussels. The following year, this prestigious award gained him a Borletti-Buitoni Trust Fellowship, which made it possible, among other things, for him to produce his first CD. This CD, which included Rachmaninoff’s rarely played First Piano Sonata and Ravel’s ‘Miroirs’, was praised by reviewers and received an Edison award in the following year.

Minnaar’s talent had already attracted attention at the Amsterdam Conservatory, where he completed his studies summa cum laude under Jan Wijn. Soon afterwards he was invited to appear as a soloist with various orchestras. He worked with conductors including Marin Alsop, Frans Brüggen, and Edo de Waart. He appeared in recitals and was a guest at various festivals, many of them in France. For example, in 2013 Minnaar performed at the well-known piano festival in La Roque D’Anthéron, where all the most prominent members of the piano world make their appearance. Minnaar also performed at festivals in countries such as China and Bahrein. At the end of 2013 he will make his recital debut in Tokyo.

 

In 2008, when Minnaar made the decision to compete internationally, he took part in the Geneva Competition, where he was awarded a second prize. This was followed in 2010 by the Elisabeth Everts Prize and the award, as mentioned above, from the famous Brussels competition. It was particularly because of this latter award that the national and international spotlights began to focus on Minnaar. Reviewers praised the natural quality of his playing, his musical intelligence, feeling for structure, modesty, and his solid work ethic: “a winning combination”. “A young pianist of international standing has appeared,“ wrote Peter de Bruin, reviewer for the NRC, in 2010.

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Piano Concerto No. 3 (2017)

Beethoven

The Netherlands Symphony Orchestra, Hannes Minnaar

Cables:Siltech
Digital Converters:DCS
Editing Software:Pyramix
Mastering Room:Avalon Acoustic
Microphones:Sonodore
Producer:Bert van der Wolf
Recording Engineer:Bert van der Wolf, Brendon Heinst
Recording location:Muziekcentrum, Enschede, The Netherlands
Recording Software:Merging
Recording Type & Bit Rate:DSD64

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CC72715: Piano Concerto No. 3
00:34:37   Select quality & channels above
Tracks
1.
Piano Concerto No. 3, Op 37 - I. Allegro con brio
Beethoven
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2.
Piano Concerto No. 3, Op 37 - II. Largo
Beethoven
00:07:47   Select quality & channels above
3.
Piano Concerto No. 3, Op 37 - III. Rondo. Allegro
Beethoven
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